137 Brahms: Symphony No. 1. London SO/Antal Dorati. Am. Mercury 90268.**)***)
700 176 Mendelssohn: Italian
Symphony. Mozart: Symphony K550. Minneapolis SO/Antal Dorati.*)****)
184 Brahms: Symphony No. 4. Detroit SO/Paul Paray **)****)
455 Ravel: Bolero, Saint-Saëns: Dance Macabre. Dukas:œ The Sorcer's Apprentice.
Detroit SO/Paul Paray. (Various Am. Mercury-recordings).**)****)
894 009 Liszt: Piano concertos
Nos. 1 and 2. Yuri Boukoff. Vienna SO/Laszlo Somogy. Am. Mercury 18066. This recording
from Mercury's first stereo-series shows its age. Boukoff's interpretations are
less controled if compared to Janis' performances that were recorded later. French
pressing is to be preferred.
020 Bartók: Concerto for Orchestra. London SO/Antal Dorati. Am. Mercury
90378. Truly Bartok, truly Hungarian. Recommended!
021 Beethoven: Violin concerto. Joseph Szigeti. London SO/Antal Dorati. Am.
Mercury 90358 **) The Mercury-team must have known that by inviting Josph
Szigeti to record the Beethoven Concerto with Antal Dorati (and of course the
Brahms and Prokofiev No. 1 with Herbert Menges) that the recording would document
the art of a legend at some seventy years of age. Szigeti was born on September
5, 1892 and died February 19, 1973. Dorati's accompaniment is careful and sympathetic.
022 Saint-Saëns:œ Symphony No. 3. Marcel Dupre. Detroit SO/Paul Paray.
The American Mercury with reference 90331 had also Chausson's Symphony.**)
894 024 and 6531 013 Dvorak:
Cello concerto; Bruch: Kol Nidrei. Janos Starker. London SO/Antal Dorati.
European Mercury MGY 130 531. Also released as 850 420. Matrixes of 850 420 are
used for both 894 024 and 6531 013. Am. Mercury 90303. These are most inspired
performances. Both sound and interpretation are highly recommended.
894 025 Gershwin: Concerto in
F, Rhapsody in Blue. Eugene List, Eastman Rochester Orchestra/Howard Hanson.
This Fontana release is pressed from matrixes of European Mercury MGY 130 509.
Am.Mercury 90002. Not exactly the Gershwin of my choice. The performance of the
concerto is at times hectic and lacks the broad gesture. The sound is for an early
stereo-Mercury at times impressive but the cymbals can be quite prominent. My
copy did not show much space.
026 Brahms: 2nd Piano concerto. Gina Bachauer, London SO/Stanislaw Skrowaczewsky.
European Mercury MGY 130
530. Am. Mercury 90301. The strong playing of Gina Bachauer and firm performance
of the orchestra are enhanced by the good recording. This release is recommended
because the matrixes for pressing the MGY 130 530 were used and they were supplied
027 Rimsky-Korsakov: Scheherazade. Minneapolis SO/Antal Dorati. Pressed from
matrix of European Mercury MGY 130 510. (which was subsequenly issued as Philips
VY 838 501 and coupled with Borodin's Polovetsian Dances; 1963). Am. Mercury 18008
(1959). Recommended because of sound and because of the execution of a well structured
and sensible performance.
028 Beethoven: Wellington's Sieg. London SO/Antal Dorati. Tchaikovsky:
Overture 1812. Minneapolis SO/Antal Dorati. European Mercury MGY 130 514.
A 'sonic spectacular' including canons and bells. Over 1.000.000 copies were sold
of the original American release of Mercury SRD 19. The Fontana release that I
came across shows that it is difficult to produce so many matrixes in order to
press over 1.000.000 copies while at the same time keeping a high level of soundquality.
029 Tchaikovsky: Pathétique. London SO/Antal Dorati. Earlier as Philips
VY 838 504 (1963). Am. Mercury 90312. This is a reading with some beautiful moments.
Especially the balletlike nature of the 2nd movement comes off well. The complete
set of symphonies was much later released on Philips 6747 195 (6 Lp's) from new
matrixes that were cut with less dynamics but show the qualities of a wider range
and the warm and harmonious Philips sound to the benefit of Dorati's performances
that get more depth.
080 Liszt: Hungarian Rhapsodies 1, 4, 5 and 6. London SO/Antal Dorati. Am.
Mercury 90371. Sound: this recording has the dry Mercury sound wich enables the
players of celli, bass and cimbalon to build op harmoniously. Also because of
081 Suppé: Overtures - Poet and Peasant, Pique Dame, Light Cavalry, Bocaccio,
Fair Galatea, Morning Noon and Night in Vienna. Detroit Symphony/Paul Paray
(Am.Mercury 90269). I did not listen to this recording but knowing how well Paray
conducts both major works (like Dvorak) and items in this lighter category on
Mercury 90203 (Bouquet de Paray), this must also be fine playing. **)
082 Mozart: Symphonies Nos. 41 & 39.
London SO/Hans Schmidt-Isserstedt. Pressed from Philips-made matrixes of European
Mercury 130 506 Am. Mercury 90184. Strong readings.***)
894 083 Stravinsky: L'Oiseau
de Feu. London SO/Antal Dorati. Dorati recorded The Firebird twice: Am. Mercury
18010 and 90226. The performance of this 894 083-disc must be from the tape of
the older 18010 recording. **)
084 Tchaikovsky: Swan Lake. Minneapolis SO/Antal Dorati. Am.Mercuty 18025
085 Prokofiev: Piano concerto no. 3; Rachmaninoff Piano concerto No. 1. Byron
Janis and the Moscow Philharmonic/Kyrill Kondrachin. For my copy the original
matrixes made by Mercxury for Philips 130 525 were used. Beautifull performances
and good sound, though some recordnoise is evident.
088 Franck: Symphony in D. Detroit SO/Paul Paray. Sensitive performance. Here
as in so many other releases of the 894 series the sound is rounded if compared
to the sometimes fierce sound of the releases in the MGY130 series.
could not find the Fontana equivalent of Dvorak's New World Symphony conducted
by Paray who in a very good performance shows with the chosen tempi that the 9th
is the logical successor of the 8th Symphony. I did not find the Schubert's 8th
Symphony conducted by Skrowaczewski and Beethoven's 5th Symphony conducted by
Dorati which appeared earlier on Philips 838 502. As two channel transfers were
made by the Mercury people from the original channel recordings for earlier Philips
releases and for the Fontana reissues it is evident that the very freshness, transparency
and refined quality of the original sound recording was somewhat lost, also because
Philips did some filtering also. Nevertheless one can still hear to a certain
extent that these recordings were made with amplifiers and mixing consoles that
work with valves. From about 1974 on Mercury tapes were again released on
the Philips label; the Fontana label more or less vanishing from the catalogue).
Even then the typical characteristics of the Mercury sound are still discernable
though to an even lesser extent in the 6531 series.
002 Wagner: Meistersinger von Nürnberg - Vorspiel zum 1. Akt,
London SO/Antal Dorati; Vorspiel zum 3. Akt, Detroit SO/Paray; Overture 'Der Fliegende
Holländer', Götterdämmerung: Tagesgrauen und Siegfrieds Heimfahrt,
Detroit SO/Paul Paray; Lohengrin: Vorspiel zum 3. Akt London SO/Antal Dorati.
Am. Mercury 90232 and 90287. Earlier released as Fontana 700 174. Recommended.
003 Brahms: Hungarian Dances. London SO/Antal Dorati. Am.Mercury 90437. **)
6531 004 Beethoven:
Piano concerto No. 5, Gina Bachauer, London SO/Stanislaw Skrowaczewski. Earlier
as Philips VY 838 500. Am.Mercury 90321. Recommended for the sound.
005 Schumann: Piano concerto and Quasi variazioni from Sonata No. 3. Byron
Janis, Minneapolis SO/Stanislaw Skrowaczewski. Am. Mercury 90383. The piano is
blended well with the orchestra. The sound is not as pungeant as with other releases
but shows good ambience. As a result the pianotone is rounded, but nevertheless
beautiful. (Is it a Baldwin?) This release is pressed from matrixes 839 532. It
is a pity that the second movement is on side one. Beautiful and very sensitive
playing by Janis. Recommended.
6531 107 Szering Plays
Fritz Kreisler: Tambourin Chinois, Liebesleid, Liebesfreud, Caprice Viennois,
a.o. with Charles Rosen (piano). Am.Mercury 90348. The Fontana release uses
the matrixes of the original Philips release 838 426.
008 Gershwin: An American in Paris. Offenbach (arr.Rosenthal): Gaïté
Parisienne. Minneapolis SO/Antal Dorati. Offenbach/Rosenthal was coupled with
Graduation Ball of Johann Strauss Jr. on European Mercury MGY 130 519 (pressed
from matrixes supplied by Mercury). Offenbach appeared on Am. Mercury 90431
and Gershwin on 90290.. The Offenbach/Rosenthal piece is not to everybody's taste.
The sound and playing of the Gershwin is very good.
6531 010 Beethoven:
Symphony No. 3. Minneapolis SO/Antal Dorati. First issued as European Mercury
MGY 130 508, later released as Philips 839 534. Am. Mercury 18047. This is an
early stereo-recording (1958) and the quality of it shows the beginning of that
era. The performance is not only uninspired but not at all Beethoven.
025 The Romeros play works for guitar by Teleman, Schubert, Scarlatti, Vivaldi,
Bach, Sor, etc. Am. Mercury 90417. The sound of this Fontana-release suffers
from dynamic enhancing and compression. Good performances with Spanish soul. Sor's
Variations on a Theme of Mozart are played by Celedonio Romero with verve and
compassion in a gypsy-like style with rubato and singing strings, this freedom
being the privilege of the older man. His son Pepe recorded the same piece some
15 years later (1977) for Philips and was more truthful stylistically.
6531 027 and 6545 027
Mussorgsky/Ravel: Pictures at an Exhibition. Minneapolis SO/Antal Dorati.
On European Mercury MGY 130 515 coupled with Prelude and Dance from Khovanshchina.
Am. Mercury 90342. The Fontana releases were coupled with Philips-recordings of
Borodin's In the Steppes of Central Asia played by the (Royal) Concertgebouw Orchestra
with Jean Fournet and Polovetsian Dances performed by the Vienna SO and Philh.
Chorus, conductor Willem van Otterloo. Recommended because of Dorati's 'authentic'
Moussorgsky with his orchestra from Minneapolis.
029 Liszt: Piano concerto No. 1. Byron Janis, Moscow PO/Kyril Kondrashin.
Pianoconcerto No. 2. Byron Janis, Moscow Radio SO/Gennady Roshdestvensky.
Am. Mercury 90329. Balanced playing of orchestras and conductors, and lyricism
by Janis who gives Liszt what he really deserves. Kondrashin and Roshdestvenky
050 Brahms: Violin concerto. Henryk Szering. London SO/Dorati. Matrix from
839-series. Am. Mercury 90308. Not the dramatic, choleric Brahms. Nevertheless
well structured performance and beautiful playing by Szering. Recommended.
We all know how important the cuttingprocess and the pressing on relative hard
vinyl is. French made matrixes and pressings have a harder vinyl and show in practically
every case a better midband and more clarity. Also Fontana 700 037 WGY attains
more drama in the French edition (Liszt Piano concertos performed by Yuri Boukoff
with Laszlo Somogyi). The Philips-recordings mastered by Mercury in the USA were
pressed on the vinyl used by Mercury. PHS 900-132 (Gérard Souzay) shows
his voice with neater contours, but the Lp has also more hiss.
These releases I did not audition.
These recordings were possibly made in cooperation with EMI.
performance of Brahms' First Symphony with Dorati conducting the London Symphony
Orchestra which appeared in the early Fontana 700 series as 700 136 WGY was the
same Mercury-recording (American reference 90268) released by EMI as AMS 16082
in April 1961. If I am not mistaken it seems that Philips only could release this
and other early stereo-recordings in one of their subseries: 700 039 WGY with
Dvorak's Slavonic Rhapsody and 700 184 WGY with Brahms Fourth Symphony. I did
not investigate Fontana's 700 series and the earlier Philips 850 and 839 series..