Royale
1226 (1951) - Tchaikovsky: Symphony No. 6
"Rome Symphony Orchestra / Angelo Questa"
This item
from Royale's catalogue exists in two different issues. The original
from 1951 contains a hitherto unidentified performance which, in addition,
misses the last slow movement. Perhaps someone thought the symphony
to be over after the fast March movement. The later issue, bearing the
old Royale label with the old matrix numbers on it, has later matrix
numbers (8066A/B) on the record itself. The release showing these later
numbers is the performance played by the Oslo Philharmonic Orchestra
under Odd Grüner-Hegge, an item which was also issued under the
correct names on "RCA's" Allegro/Ultraphonic label (1666).
This is one of the cases where "RCA" re-used material for
their pseudonymous series which had been legally acquired and correctly
issued in their "full price" series sometime around 1956.
The reason for issuing a pseudonymous version seems to have been the
incompleteness of the original 1951 issue which thus could be "repaired".
The front sleeves of these different releases under the same number
are differently designed, though the later issue kept the liner notes
and also the 1951 copyright mark on the reverse side.
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Royale
1237 (1951)
- Borodin: Symphony No. 2
"Rome Symphony Orchestra / Angelo Questa"
The same
performance has been released (earlier?) on Allegro ALG 3048 where it
is said to be played by the "Hastings Symphony Orchestra under
John Bath". It is possible that these are the real forces who actually
recorded the work, but researching English sources has resulted in nothing
re the existence of a conductor named John Bath (Allegro's sleeve
notes tell us that he is the son of composer Hubert Bath ("Cornish
Rhapsody"). There is evidence that an orchestra existed in Hasting,
but no evidence of this being a normal symphony orchestra. (The British
label Oriole, though, has released on two 78s a rarely performed work
by Saint-Saëns - Ballet music for the play 'Henri VIII' - with
John Bath again conducting the Hastings Symphony Orchestra.)
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Royale
1257 (1952) - Dvorak: Symphony No. 9
"Berlin Symphony Orchestra / Karl List"
This performance
is identical to the so-called Furtwängler "live" version
from 1941 (technically and musically a doubted release from the very
start), issued on Relief 813 in 1981, and coming from a tape found at
a German flea market. In fact, this performance is the RRG studio production
made in Munich on July 14, 1944 with the Munich Philharmonic Orchestra
under Oswald Kabasta, the original tape of which still exists
in the Munich Radio archives, marked also by two bars missing from the
end of the second movement.
Insufficient
research led to the wrong attribution to Wilhelm Furtwängler and
the Berlin Philharmonic Orchestra and the assertion to be a live recording.
However, the performance was released under Furtwängler's name
a few times again on various CD's, even though it had become clear that
it was not by Furtwängler. A particularly condemnable fact is that
RELIEF, who had first published the performance, released it again on
CD, this time even adding the missing two bars from the end of the second
movement, using material from a live performance of the work -- although
the owner of the firm, Herr Oberleitner, had been officially informed
by the author about the true identity of the performance -- a very special
case of serving Furtwängler's memory!
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Royale
1259 (1952) - Sibelius: Finlandia op. 26 #7 - "Berlin
Symphony Orchestra / Karl List"
Strauss: 'Till Eulenspiegels lustige Streiche' op. 28
"Berlin Symphony Orchestra / Gerd Rubahn"
Bach: Brandenburg Concerto No. 4 in G major
"Berlin Symphony Orchestra / Dr. Felix Guenther"
The performers
of the Sibelius and Bach works could not be identified so far. The recording
of the 'Till Eulenspiegel', however, is the live performance of the
BPO under Wilhelm Furtwängler from November 1943. So, on
this 1952 record, this particular performance had been issued for the
first time in years, though under pseudonyms, before its first official
release on DGG EPL 30589 in 1961 ( see also below under Gramophone 2097 ).
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Royale
1260 (1952) - Rimsky-Korsakoff: Scheherazade - "Berlin
Symphony Orchestra / Karl List"
This record
contains the performance of the Symphony Orchestra of Radio Berlin (which
was the orchestra of East German Radio) under Karl Rucht. This
recording was issued by Urania on UR-RS 7-19 and URLP 7133 under the
correct names of orchestra and conductor. This item marks the beginning
of Royale's use of material which also appeared on Urania records, unless
further research proves otherwise.
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Royale
1261 (1952) -
Tchaikovsky: Piano Concerto No. 1 op. 23 - "Maria
Huttner, piano / Berlin Symphony Orchestra / Joseph Balzer"
This recording
is identical to the one released by Urania on UR-RS 7-2. The pianist
is the Belgian Alex de Vries, the conductor is Artur Rother,
and the orchestra is the Symphony Orchestra of Radio Berlin.
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Royale
1264 (1952) - Grieg:
Piano Concerto
"Gerhard Stein, piano / Berlin Symphony Orchestra
/ Karl List"
This is
actually the performance with Friedrich Wührer, piano, and
the Vienna Philharmonic Orchestra under Karl Böhm, released
under the real names by Urania on UR-RS7-15. It is a German war-time
Vienna radio studio recording from 1944, which is still extant in the
archives.
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Royale
1266 (1952) - Strauss, Johann: The Gypsy Baron ("complete arias")
"Dresden State Opera Soloists, Orchestra and
Chorus / Gerd Rubahn"
The
original recording for this release comes from quite the opposite region
of Germany! It is identical to the December 1949 production of WDR Cologne.
The "complete arias", as Royale labels their excerpts of this
Gypsy Baron, are sung by Karl Schmitt-Walter, Willy
Schneider, Peter Anders, Sena Jurinac, Marianne
Schröder and Georg Hann. The Cologne Radio Chorus and
the Cologne Radio Symphony Orchestra are conducted by Franz Marszalek.
This production is still in the archives of WDR Cologne and has been
published during the last years on both the LP and CD format.
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Royale 1269-71 - Offenbach The Tales of Hofmann
(1952)
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Royale 1272 (1952) - 'The Heart of the Piano Concerto'
This compilation
of movements from four piano concertos contitutes one of Royale's frequent
re-releases of material already issued in complete form on other records.
The disc contains truncated versions of the first movements of the piano
concertos No. 1 by Chopin, No. 1 by Tchaikowsky, the Grieg A Minor and
a complete first movement of Mendelssohn's piano concerto No. l. The
movement from Grieg is identical to Wührer's recording from Vienna,
issued on Royale 1264 (see the author's earlier article ), and the movement
from Tchaikovsky is identical to the de Vries version on Royale 1261, described above.
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Royale 1273 (1952) - Saint-Saëns: Piano Concerto No. 2 - "Carlo
Vidusso, piano / Rome Symphony Orchestra / Angelo Questa"
A reissue
of the Allegro recording of this work on ALG 3028 in the US (ALX 3028
in the United Kingdom). The Allegro release credits Arthur Sandford
as the pianist and the Hastings Symphony Orchestra under John Bath.
(The finale from this recording also appears on Halo 50246.) Research
in Italy resulted in a note from a former pupil of Vidusso, Piero Rattalino,
in which he states that the pianist knew about the illegal use of his
name on certain records of Oberstein. Vidusso had been in the US with
an orchestra and P. R. thought this might have prompted Oberstein to
use his name. The pianist denied his authorship for all those recordings
which Royale released under his name, yet he did not take any legal
action against Oberstein.
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Royale 1276 (1952) - Khachaturian: Piano Concerto
"Maria Huttner, piano / Berlin Symphony Orchestra
/ Joseph Balzer"
Identical
to Urania's release of this work on URLP 7086, where the original artist
of this East German Radio production are mentioned: Margot Pinter,
piano (the Californian wife of conductor Hans Weisbach) and the Symphony
Orchestra of Radio Berlin under Artur Rother.
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Royale 1284 (1952)- Strauss,
Johann: Die Fledermaus ("complete score") - "Inge
Camphausen, soprano / Wilhelm Horst, tenor / Erna Maria Romer, contralto
/ Gerhard Ramms, baritone / Chorus and Orchestra / Karl List"
This
is the NDR Hamburg production from 1950 with the Hamburg Radio Orchestra
and Chorus under Wilhelm Schüchter. The "complete score",
however, is not identical to a "complete performance". The
singers to be heard are Rita Streich, Sena Jurinac, Horst
Günter, Hans-Herbert Fiedler and Rupert Glawitsch.
The original tape is still in the NDR Hamburg archives.
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Royale 1290-93 (1952) - Bach:
St. Matthew Passion
"Inge Camphausen, soprano / Maria Haentschel, contralto / Gerhard
Viguhr, tenor / Nicolaus Herfeld, baritone / Berlin Cathedral Choir /
Berlin Symphony Orchestra / Joseph Balzer"
This recording
is identical to the version published on Vox DLP 6070; the soloists
are Elfriede Trötschel, Diana Eustrati, Dietrich
Fischer-Dieskau, Helmut Krebs and Friedrich Härtel.
Sylvia Kind plays the harpsichord and Paul Hoffmann the organ. The Boys
Choir of the St. Hedwig's Cathedral and the Chorus and Symphony Orchestra
of Radio Berlin are conducted by Fritz Lehmann in this live recording
from 1949.
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Royale 1297-99 (1952) - Bach:
Mass in B minor
"Erna Stolle, soprano / Erna Maria Römer,
contralto / Fritz Vogel, tenor / Ernst Wagner, bass / Berlin Cathedral
Choir / Berlin Symphony Orchestra / Joseph Balzer"
This recording
could be identified with the help of Jürgen Schäfer
in Hamburg and with dates from German radio magazines. No recording
from Berlin but from Hamburg. The soloists are Margot Guilleaume,
Gertrude Pitzinger,Walter Geisler and Josef Greindl.
The Choir of NWDR Hamburg and the symphony orchestra of NWDR are conducted
by Hans Schmidt-Isserstedt. The performance was listed for a
broadcast in 1950 via NWDR Hamburg, the dates of the recording have
been kept: March 19th & 20th, 1950. The original tapes, however, are
no longer stored in the station's archives.
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Royale 1304 (1952) - Beethoven:
Piano Concerto No. 3
"Gerhard Stein, piano / Berlin Symphony Orchestra
/ Gerd Rubahn"
The second
movement in this performance is a pirated dubbing of the Decca recording
with Wilhelm Backhaus and the Vienna Philharmonic under Karl
Böhm. The outer movements have not been identified, they are
not taken from the recording of the concerto released on Mercury
MG 10078 with Swiss pianist Walter Frey. A reason for this 'mixture'
of sources is hard to imagine.
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Royale 1306 (1952) - Beethoven:
Piano Concerto No. 5 op. 73, 'Emperor'
"Maria Huttner, piano / Berlin Symphony Orchestra
/ Joseph Balzer"
In its
incarnation on Varsity 2056, this performance has been identified already
in the earlier article, the pianist being Wilhelm Backhaus with
orchestra and conductor of uncertain identities. The author reported
about repaired "drop-outs" on that record and thought it to
be a studio recording. On this Royale issue, however, the nature of
these "drop-outs" became clear: somebody at "RCA"
apparently felt the need to edit prominent coughs when the tape was
used again for the Varsity release where the less prominent audience
noise had drowned in the crackly surface of the pressing and so could
easily escape the listeners attention. So, here as well as on the Varsity record, we have indeed the
same live performance with Wilhelm Backhaus, an original tape of which
no longer exists in the archives of Germany's radio stations.
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Royale 1311(1952) - Smetana:
Die Moldau
Hindemith: Der Schwanendreher - "Berlin Symphony
Orchestra / Karl List" (no viola soloist named)
The performers
of Hindemith's 'Der Schwanendreher' could not be identified (it may
be the performance with Reinhard Wolf, viola and the NWDR Symphony Orchestra
under Schmidt-Isserstedt from 1949), but Smetana's symphonic poem is
a real find! It is the German war-time radio studio recording with the
Berlin Philharmonic Orchestra under Clemens Krauss, recorded
in Berlin on November 24, 1944. This performance was issued also on
Allegro/Elite and Concertone (see below). As far as the author could
find out, this performance has not been issued under the proper names
of orchestra and conductor ever since. The tape is still in the DRA
Archives in Frankfurt/Main.
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Royale 1312 (1952) - Schumann:
Cello Concerto in A Minor Op. 129 - "Siegfried
Seidler, soloist with Berlin Symphony Orchestra conducted by Joseph Balzer"
This record
contains one of the latest German war-time recordings. The tape is still
in the German Radio sound archives (DRA Frankfurt). The performance
was recorded in Berlin on January 27, 1945 with Tibor de Machula
and the Berlin Philharmonic under Karl Böhm. The recording
has not been released commercially ever since.
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Royale 1322 (1952) - Offenbach:Tales
of Hoffmann (excerpts) - "Soloists, Chorus
and Orchestra conducted by Joseph Balzer"
This record
contains parts taken from the complete recording, released on Royale
1269-71 (see above).
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Royale 1325 (1952) - Berlioz: Symphonie fantastique op. 14 - "Berlin
Symphony Orchestra / Joseph Balzer"
In this
live performance the rarely recorded Hungarian Eugen Szenkar
conducted the NWDR Symphony Orchestra Hamburg on 19 and 20 February
1950. The delayed broadcast is listed for 27 March 1950. The original
tape is still in the Hamburg Radio archives, and luckily Tahra has released
this characteristic reading in 2001 (TAH 423).
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Royale 1339 (1952) - Chausson:Poème
for violin and orchestra; Paganini: Violin Concerto in D major
"Karl Brandt, violin / Berlin Symphony Orchestra
/ Gerd Rubahn"
The performers
of the work of Chausson remain unidentified, but the Paganini live performance
of what is known as the version by August Wilhelmj was recorded by German
Radio in Munich on April 4, 1943 with the Reichssender Munich Orchestra
under Berthil Wetzelsberger and violinist Guila Bustabo.
The original war-time tape, which was in the archives of Munich Radio
and had even been broadcast as late as 1950, no longer exists in Munich.
However, when the bulk of German war-time tape recordings was handed
back from Moscow to SFB Berlin in 1991, another copy of this tape was
among that collection.
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Royale 1350-51 (1952) - Mascagni:
Cavalleria Rusticana ("excerpts") - "Horst
Wilhelm, tenor / Berlin Opera Orchestra and Choir / Gerd Rubahn"
Leoncavallo: Pagliacci ("excerpts")
"Inge Camphausen, soprano / Horst Wilhelm,
tenor / Herta Schenck, alto / Gerhard Ramms, baritone / Berlin Opera Orchestra
and Choir / Gerd Rubahn"
There is
the introduction to the opera with Turridu's first aria, the chorus
of the peasants, the famous Intermezzo and Turridu's "Goodbye,
Mother" on side 1 of Royale 1350. This latter aria, using the concert
ending, is therefore not an excerpt from a complete performance of the
opera. The first Turridu is Anton Dermota, the second is Rudolf
Schock. The provenance of both of these recordings is unknown yet,
but German post-war radio productions are likely. Side 2 of this record
and both sides of Royale 1351 contain, contrary to being labelled as
"excerpts", an almost complete studio recording of Leoncavallo's
Pagliacci, sung in German. This recording could be identified
as the 1949 NWDR Hamburg radio studio recording of the work with the
NWDR Symphony Orchestra and Chorus conducted by Wilhelm Schüchter.
The singers are Margot Guilleaume (Nedda), Willi Franter
(Canio), Rudolf Gonszar (Tonio), Walter Geisler (Beppo)
and Joseph Olah (Silvio). Frau Guilleaume kindly evaluated the
performance, the original tape of which is no longer in the NDR Hamburg
archives.
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Royale 1354 (1951) - Wagner:
The Flying Dutchman (excerpts) - "Lothar Hansen,
tenor / Fred Grossmann, baritone / Berlin Opera Orchestra and Choir conducted
by Herbert Wetzel"
The excerpts
on this record, carelessly spliced, come from the 1951 Hamburg Radio
studio production. The NWDR symphony orchestra is conducted by Wilhelm
Schüchter, the part of the Holländer is sung by Hans
Hotter, Senta is sung by Helene Werth. The complete recording
was released on CD a good while ago.
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Royale 1355 (1951) - Flotow:
Martha (excerpts)
"Inge Camphausen, soprano / Wilhelm Horst,
tenor / Berlin Opera Orchestra conducted by Gerd Rubahn"
Already
mentioned in first article. For additional and correct information see
below in section III.
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Royale 1356 (1952) - Haydn:
Symphony No. 101 D major "The Clock"
- "Berlin Symphony Orchestra / Joseph Balzer"
This recording
is identical to the version published on Mercury MG 15018. As far as
this research has developed, this is the first time when "RCA"
used Mercury material from the Bavarian Radio archives. The performance
is played by the Munich Philharmonic Orchestra under Georg Reinwald.
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Royale 1357 (no year available) - 'An
Hour with Tchaikovsky' - "Rome Symphony Orchestra
/ Dr. Felix Guenther"
Another
of Royale's mixture of items from works and performances released earlier
in their catalogue. The first movement from the B Flat Minor piano concerto
on this record is identical to the de Vries version (see above). For
the identification of the last movement of the violin concerto on this
disc see below the section of Probable Identifications.
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Royale 1358 (1952) - Schumann:
Piano Concerto op. 54 - "Carlo Vidusso, piano
/ Rome Symphony Orchestra / Dr. Felix Guenther"
Another
"trip to Rome" in Royale's catalogue, naming two existing
artists who are actually not involved in this recording. This performance
is identical to the one issued by Mercury on MG 15020. The pianist is
Rosl Schmid, a pupil of Teichmüller and professor at the
Munich Academy of Music since 1948, accompanied by the Bamberg Symphony
Orchestra under Josef Keilberth.
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Royale 1361 (1952) - Schumann:
Symphony No. 2 op. 61 - "Berlin Symphony Orchestra
/ Herbert Guthan"
Identical
to the performance issued on Mercury MG 10082, the orchestra and conductor
being the Munich Philharmonic and Eugen Papst.
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Royale 1365 (1952) - Mozart:
Symphony No. 35 K. 385 "Haffner" / Symphony No.36 K425 "Linz"
"Berlin Symphony Orchestra / Joseph Balzer"
Both recordings
are identical to the versions published on Mercury MG 10057 where the
Bamberg Symphony Orchestra plays under the direction of Robert Heger.
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Royale 1366 (1952) - Schumann:
Symphony No. 3 op. 97 "Rhenish" - "Berlin
Symphony Orchestra / Herbert Guthan"
Again from
the "Bavarian source", the Munich Philharmonic plays under
Rudolf Albert (who later changed the spelling of his second name
to Alberth). This performance was released by Mercury on MG 15034.
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Royale 1370 (1952) - 'An
Hour with Richard Strauss'
"Berlin Symphony Orchestra" (no conductor named)
The "Till
Eulenspiegel" on this record is again Furtwängler's Berlin
Philharmonic Orchestra version from the live concerts in the Berlin
Philharmonie of November 13-16, 1943.
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Royale 1376 (1952) - Beethoven:
Piano Concerto No. 1 (1952) - "Elliott Everett,
piano / Berlin Symphony Orchestra / Joseph Balzer"
This record
has preserved a live performance of this concerto with Wilhelm Kempff.
For additional information see below in section of additional information
and corrections.
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Royale 1379 (1952) - Mozart:
Piano Concerto No.12, K. 414; "Arthur Sanford,
piano / Rome Symphony Orchestra / Dr. Felix Guenther"; Mozart:Two-Piano-Concerto,
K. 365 - "Carlo Vidusso & Arthur Sanford,
pianos / Rome Symphony Orchestra / Dr. Felix Guenther"
These performances
are both identical to Mercury MG 10007, the K.414 is played by Margret Knittel and accompanied by the Bavarian Radio Symphony
Orchestra under Rudolf Albert. The double concerto is performed
by Hans Altmann and Heinz Schröter and the same orchestra,
without a conductor it seems (or rather Altmann conducting from the
piano).
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Royale 1380 (1952) - Beethoven:
Overtures
"Berlin Symphony Orchestra / Leopold Ludwig"
A more
famous conductor at last! Two of the four overtures, however, could
again be identified as material from Bavarian Radio. The Egmont Overture
and the Overture "Namensfeier" are both conducted by Robert
Heger and the Munich Philharmonic, as issued on Mercury MG 15002
and MG 10055, respectively. The performers of the rarely heard Leonore
No. 1 and the Leonore No. 2 on this disc are still unidentified.
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Royale
1388 (1952) - Liszt:
Mephisto Waltz - Mazeppa - Tasso - "Berlin
Symphony Orchestra / Joseph Balzer"
Only the
symphonic poem Tasso on this record could be traced. It is
identical to the version on Mercury MG 10083 where it is played by the
Munich Philharmonic under Adolf Mennerich. (Both the Mephisto
Waltz and Mazeppa seem to have an acoustic ambience similar
to Tasso, so these two performances may also be material from
Munich, though the Mephisto Waltz issued on Mercury MG 10080
is different from the version on this record.)
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Royale 1390-92 (1952) - Mussorgsky:
Boris Godunov (complete opera)
One of
the rare instances when "RCA" issued a work with full credit
to the artists who were involved - on this occasion, perhaps, because
no charges from the artists or rather the Soviet authorities were to
be expected. So, apart from "Chorus and Orchestra of the
Bolshoi Theatre under Nicolai Golovanov", the complete
cast of singers is printed on the front of this boxed set. A comparison
to the original USSR release reveals that indeed all is on the Royale
discs that is on their Soviet precursors, except that Royale manages
to condense the whole opera on three LPs instead of the four of the
original Soviet release. The performance was also issued on Gramophone
(see below).
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Royale 1397 (1952) - Beethoven:
Jena Symphony in C
"Berlin Symphony Orchestra / Joseph Balzer"
Beethoven:Piano Concerto No.2 op. 19 - "Gerhard
Stein, piano / Berlin Symphony Orchestra / Joseph Balzer"
The performers
of the Jena Symphony have been identified already (Robert
Heger conducting the Munich Phiharmonic, released on Mercury MG
10055, cf. earlier article). The Piano Concerto No. 2 is identical
to the performance on Mercury MG 15013 with Heinz Schröter
as pianist and the Bavarian Radio Orchestra under Hans Altmann.
|
Royale 1400
(1952) - Beethoven:
String Quartets op. 18 Nos. 2 & 3 - "The Royale
String Quartet"
Though
labelled as being "recorded in Europe", this is in fact a
pseudonymous reissue of the Allegro recording with the American Kroll
Quartet originally released on AL 78.
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Royale 1401
(1952) - Haydn:
Symphony No. 104
Debussy: La mer - "Berlin Symphony Orchestra
/ Karl List"
The performance
of the Haydn symphony is identical to a performance released in 1975
"for the first time" on Melodiya 33M-1037145-46 under Furtwängler's
name, subsequently dubbed by Discocorporation on RR-441 in 1976, and
released again by Deutsche Grammophon on CD 427 776-2, using one of
those German war-time tapes which had been stored in Moscow, copies
of which the Berlin radio stations SFB had received back from Moscow
for their archives. In fact, this performance is identical to the one
on Mercury MG 10050. Mercury credits the performers as being the Bavarian
Radio Orchestra under Alfons Dressel (1900 - 55). Inaccurate
labelling of the tape or similar deficencies may have been the reason
for Melodia's wrong attribution to Furtwängler and the spreading
of this inauthentic Furtwängler performance. As a result of this
author's research, which had been made known to Alfred Kaine, head of
the classic department at that time, DGG withdrew their disk a short
while after its release.
Thus far, the live performance of Debussy's La mer is unidentified.
Compared to performances of other conductors, it is one of the fastest
accounts of this work. (It may be the live performance broadcast
in February 1952 with Hans Rosbaud conducting the Cologne Radio Symphony
Orchestra. Alas, a tape of this broadcast does no longer exists in the
archives, so a comparison and definite attribution are impossible.)
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Royale 1403 (1952)- Smetana:
Aus Böhmens Hain und Flur & Overture The Bartered Bride
Weber: Overtures Peter Schmoll, Euryanthe, Turandot, Oberon & Beherrscher
der Geister
"Berlin Symphony Orchestra conducted by Joseph
Balzer"
Nothing
from this well-filled record but the Overture to Euryanthe
could be defninitely tracked down. It is identical to the performance
on Mercury MG 10048 with the Munich Broadcasting Symphony Orchestra
(= Orchester des Reichssenders München) under Gustav Görlich.
|
Royale 1406 (1953) -
Mozart: Symphonies No. 26, K.108 / No. 30, K.220 / Piano Concerto No.
17, K. 453
"Berlin Symphony Orchestra / Herbert Guthan"
(no piano soloist named)
The performers
of the symphonies could not be identified so far, but the Piano
Concerto is an "old friend" from the catalogue of the
original Allegro company which went over to "RCA" after becoming
bankrupt. Leonid Hambro is the pianist, and the Oklahoma City
Symphony Orchestra plays under Victor Alessandro.
|
Royale 1410 (1953) -
Schubert: Symphonies No. 2 in B flat & Symphony No. 6 in C - "Berlin
Symphony Orchestra / Joseph Balzer"
The performers
of Symphony No. 2 could not yet be identified, but the Symphony
No. 6 in C is identical to the performance released on Mercury
MG 15003. So, this record is again a proof for the use of material from
Bavarian Radio. The orchestra, given on Mercury as the Bavarian
Radio Orchestra -- actually the Orchester des Reichssenders München
-- is conducted by Alfons Dressel. The recording is a German
war-time tape production for broadcast purposes made ca. 1944.
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Royale 1424 (1953) - Liszt:
Hungarian & Rumanian Rhapsodies - "Harry Reims, pianist with
the Berlin Symphony Orchestra conducted by Gerd Rubahn"
None of
the Liszt items have been identified, but another Clemens Krauss performance
comes to light here: Enescu's Rumanian Rhapsody No. 1, which neither
figures under its proper title and composer on the sleeve nor on the
labels. This is a rather careless editing of the three 78s sides of
Clemens Krauss' 1950 recording with the VPO for Telefunken (E
3836/3837, with a movement from a Respighi Suite on side 4, recorded
in August 1950). This performance was again issued various times on
other "RCA" labels (see below).
|
Royale 1430 (no year available) - Weber:
Der Freischütz ("arias") - "Inge
Camphausen, soprano / Ernst Nachtigall, tenor / Gerhard Ramms, baritone
/ Choir and Orchestra of the Dresden State Opera / Fritz Schreiber"
This record
gathers excerpts from all three acts of Weber's famous opera. The original
source is either a broadcast of or a dub from the original Decca LP
set (LXT 2597-99) of the complete work with Hans Hopf, Maud
Cunitz, Emmi Loose, Otto Edelmann et al., the Vienna
Philharmonic Choir and the Vienna Philharmonic Orchestra conducted by
Otto Ackermann.
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Royale 1434 (1953) - Brahms:
16 Hungarian Dances
"Berlin Symphony Orchestra / Gerd Rubahn"
A pseudonymous
reissue of the old Allegro recording with the Oklahoma City Symphony
Orchestra under Victor Alessandro. Apparently the old pressing
stampers have been used for this issue, the record showing the old matrix
numbers ALG 102 A/B. There is also a later issue with hand-written matrix
numbers 1434 A/B which again uses the Alessandro recording. Similar
to other cases of this kind, "RCA" smartly presents the material
as being "recorded in Europe".
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Royale 1462
(1953) - Stravinsky:
Firebird Suite
Kabalevsky:The Comedians Suite - "Dresden Symphony
Orchestra / Max van Berten"
The Firebird,
a live performance, could not be identified. The 'Comedians', however,
is the performance which W.E.R.M. lists under the label Discovery DL
4003, where a note informs that an additional movement, A Dreary
Procession, is part of that recording. This movement is also part
of the performance on this Royale disc. W.E.R.M. lists orchestra and
conductor as "Paris Philharmonic/Methen". A comparison with
a dub from the original transcription dics (Standard Program Library
T-270/1, Paris Symphony Orchestra/Jacques Metehen), kindly provided
by researcher and collector David Lennick, revealed the identity
of both recordings, though the performance on the Royale LP runs half
a tone flat.
|
Royale 1465
(1952) (sic!) - Stravinsky:
Le Sacre du Printemps - Milhaud: Suite française
"Berlin Symphony Orchestra / Karl List"
The Sacre,
a powerful live performance, could not be identified (it may come from
a live broadcast by the NWDR symphony orchestra under Hans Schmidt-Isserstedt).
The 'Suite française', however, is also part of the programme
on those two Standard Program Library transcription discs revealed as
the source of Kabalewsky's 'Comedians' on Royale 1462. So, this is again
the Paris Symphony Orchestra under Jacques Metehen. The performance
on this Royale LP again runs half a tone flat.
|
Royale 1487 (1954) - Rachmaninoff:
Piano Concerto No. 3 op. 30 - "Harry Reims,
piano / Dresden State Symphony Orchestra / Fritz Schreiber"
The credit
for having identified this recording goes to ARSC member Scott K.
Colebank who kindly supplied the author with a tape. Indeed, this
is a pirated dub of Moura Lympany's May 1952 Decca recording
of the work with the New Symphony Orchestra under Anthony Collins.
Apparently Decca never became aware of the illegal use of one of their
recording, otherwise Oberstein might have faced another lawsuit that
same year when he was confronted with Miss Resnik's $50,000 claim.
|
Royale 1502-04 (1954) - Mozart:
Marriage of Figaro ("complete") - "Soloists,
Choir and Orchestra of the Leipzig Opera House conducted by Max von Herten"
This complete
recording of Mozart's opera -- sung in German -- is the May 1951 Radio
Cologne production with the Cologne Radio Symphony Orchestra and Choir,
conducted by Ferenc Fricsay, and presents a roster of famous
singers in the prominent roles: Erich Kunz (Figaro), Hilde
Güden (Susanna), Paul Schöffler (Count Almaviva),
Elisabeth Grümmer (Countess) and Anny Schlemm (Cherubino).
This historic recording has been released recently (2004) on 2 CD's
from the Walhall label. It reveals that the piano-accompanied recitatives
have been edited out in the Royale release.
|
Royale 1518-19 (1954) - Humperdinck:
Hansel and Gretel ("complete") - "Dresden
State Opera Singers and Orchestra conducted by Fritz Schreiber"
The voices
reliably identified by Jürgen Schäfer (Hamburg) and
counterchecked by the author, this is a pirated dub of the DGG recording
(19007/8) with Horst Günter (Peter), Marianna Schech
(Gertrud), Gisela Litz (Hänsel), Rita Streich (Gretel),
Res Fischer (Hexe), Elisabeth Lindermeier (Sandmännchen)
and Bruno Bückmann (Taumännchen). The choir and the
Munich Philharmonic are conducted by Fritz Lehmann.
|
Royale 1522-23 (1954) - Bach: St. John Passion
"Bach Society of Berlin and Cathedral Choir conducted
by Hans Burckhardt"
The voices
have been reliably identified and the original date and cast of this
broadcast performance could be tracked down. It took place in Berlin
on March 23rd, 1950 and was broadcast by RIAS. The singers are: Dietrich
Fischer-Dieskau (Jesus), Gunthild Weber (soprano), Ina
Brosow (soprano), Lotte Wolf-Matthäus (alto), Helmut Krebs
(tenor), Herbert Froitzheim (tenor), Gerhard Niese (bass)
and Leopold Klamm (bass). The RIAS-Kammerchor und the RIAS Orchestra
were conducted by Karl Ristenpart The performance is reported
to be still in the archives. What we find of it on these two Royale
Lps is heavily truncated.
|
Allegro/Royale 1527 (1954) - Puccini:
Gianni Schicchi ("complete opera") - "Berlin
State Opera Soloists, Choir and Orchestra/Joseph Balzer"
Indeed
this performance is sung in German, so a Berlin State Opera performance
might have been a possible source for it. But not so! From beginning
to end it is yet another radio studio production from Cologne, made
in November 1949. WDR Cologne still holds the tape. The performers are
Hans Reinmar, Helmi Rau, Res Fischer, Albert
Weikenmeier, Karl Schiebener, Else Veith, Ekkehart
Schirp, Willy Schonenweiss, Wilhelm Schirp, Walter
Schönfeld, Ingeborg Lasser, Robert Blasius, Alexander
Schoedler, Anton Germann and Wilhelm Kirsch. The Cologne
Radio Symphony Orchestra plays under Richard Kraus.
|
Royale 18137 (1956) - Saint-Saëns:
Carnival of the Animals - "The Philharmonia
Orchestra" (no soloists and conductor named)
The prestigious
London orchestra on Royale? Certainly not, but Oberstein surely chose
the name on purpose and even had some reasonable grounds to do so. The
performance on this disc came from the Hamburg-based recording business
of one Paul Lazare from NYC. who had come over to Germany. Lazare's
low-budget products became known in the U.S. through the items he was
able to sell to MGM for their E3000 etc. series. Lazare chose to name
the musicians who worked for him in Hamburg, the "Philharmonia
Orchestra of Hamburg", hence Oberstein's "Philharmonia Orchestra".
This recording of the Carnival of the Animals was played by this group
which was initially the "Hamburg Chamber Orchestra" under
the baton of its founder (and one of Lazare's "house conductors"),
Hans-Jürgen Walther (another one was Arthur Winograd = Arthur
Weinberg). The piano parts were played by Lazare's daughter Sondra Bianca and a student of the Hamburg Music Academy, Gerhard
Arnoldi.
|
Royale 18163 (1956) - Grieg:
Piano Concerto
"Lou Shankson, piano with the Philharmonia
Orchestra" (no conductor named)
"Lou"
gives a good performance of this well-known piece and gets idiomatic
support from the "Philharmonia" on this 10-inch disc. Robert
Riefling, the Oslo Philharmonic Orchestra and conductor Odd Grüner-Hegge
are the real artists. Another example for material also issued under
the proper names on Allegro/Ultraphonic 1612,
on all accounts licensed from the Norwegian Tono recording company.
|
Royale EP 243 (no year available) - Lehár:
The Land of Smiles - "The State Opera Singers
and Orchestra / Gerd Rubahn"
This 7-inch
record presents two excerpts from this operetta, one sung by Erna
Dietrich, the other by Peter Anders. The recordings are from
the 1950 WDR Cologne radio studio production with the Cologne Radio
Symphony Orchestra under Franz Marszalek.
|
Gramophone 2021 (1953) - 'Famous
Overtures'
"National Opera Orchestra" (no conductor
named)
The inspected
copy of this record contains a Varsity pressing in a Gramophone sleeve.
For identification of the contents see Varsity 2021 above.
|
Gramophone 2036 (1953) - Mozart:
Piano Concerto No. 12, KV. 414 - "Eric Silver at the piano with The
Varsity Symphony Orchestra" (no conductor named)
Again a
Varsity pressing in a Gramophone sleeve. For identification see Varsity
2036 above.
|
Gramophone 2037 (1953) - Bach: Mass in B minor / St. Matthew Passion ("excerpts")
"Varsity Chorale Ensemble" (no additional
information given)
The excerpts
from the Mass in B Minor - a live performance - are taken from the complete
recording released on Royale 1297-99 (see above). The portions from
the St. Matthew Passion are identical to the live 1949 performance captured
on Vox DLP 6070 and issued completely on Royale 1290-93 (see above).
Again, the inspected Varsity pressing is wrapped in a Gramophone sleeve.
|
Gramophone 2041 (1953) - Chopin:
Ballades Nos. 1 - 4 - "Eric Silver at the piano"
"Recorded
in Europe" shouts the sleeve -- but a close comparison with Allegro
AL 115 reveals this to be the performances of Leonid Hambro -- side
B even shows the old Allegro matrix number.
|
Gramophone 2050 (1954) (sic!) - Rimsky-Korsakoff:
Sheherazade - "National Opera Orchestra"
(no conductor named)
The performance
is the one with the Symphony Orchestra of Radio Berlin under Karl
Rucht, as issued on Urania with the proper names and earlier on Royale 1260 (see above).
|
Gramophone 2058 (1953) - Tchaikovsky:
Violin Concerto op. 35 - "National Opera Orchestra"
(no soloist and conductor named)
This Gramophone
issue contains the performance with David Oistrakh and the Moscow
State Philharmonic Orchestra under Kyril Kondrashin, providing
that the record shows the Allegro/Ultraphonic matrix numbers 1640 A/B.
This release has apparently been dubbed from the original USSR issue
on CCCP 0651-0666 shellacs. For another
Gramophone issue of this work, showing different matrix numbers,
see section of Probable Identifications below.
|
Gramophone 2065 (1956) (sic!) - Grieg:
Piano Concerto - "Eric Silver with the Varsity
Symphony Orchestra" (no conductor named)
This is
the performance with Robert Riefling and the Oslo Philharmonic
Orchestra under Odd Grüner-Hegge, as issued also on Allegro/Ultraphonic
1612. The record shows the matrix numbers 1612 A/B.
|
Gramophone 2087 (1954) - Grieg:
Peer Gynt Suite No. 2; Smetana: Die Moldau - "National
Opera Orchestra" (no conductor named)
Again the
performance of Die Moldau with the Berlin Philharmonic Orchestra
under Clemens Krauss from 1944 (see Royale 1311 and Allegro/Elite 3081)
|
Gramophone 2097 (1954) - Mozart:
Eine kleine Nachtmusik (1954); Strauss: Till Eulenspiegel - "National
Opera Orchestra" (no conductor named)
The Till
Eulenspiegel is identical to the live 1943 performance of the Berlin
Philharmonic Orchestra under Wilhelm Furtwängler, as issued
already earlier on Royale 1259 and 1370.
|
Gramophone 20122 (1954) - Mendelssohn:
Piano Concertos Nos. 1 & 2 (1954) - "Eric Silver,
piano and the National Opera Orchestra" (no conductor named)
Given the
lamentable sound quality, this record must have been produced from an
aircheck. The real artists are pianist Helmut Roloff and the
Bamberg Symphony under Fritz Lehmann, actually a DGG recording
(LPM 18073). Concerto No. 2 shows heavy static intrusions and is also
truncated.
|
Gramophone 20130-31 (no year available) - Beethoven: Fidelio ("excerpts")
/ Leonore Overtures Nos. 1 & 2 - "National
Opera Singers and Orchestra" (no conductor named)
This set
contains the overture and some scenes from Fidelio on three sides. The
Leonore Overtures on side 4, issued also on other "RCA" records,
remain unidentified. The Fidelio is the 1948 NWDR Hamburg radio studio
production with the NDR Symphony Orchestra and Chorus under Hans
Schmidt-Isserstedt, the singers are Peter Anders (Florestan),
Walburga Wegener (Leonore), Siegmund Roth (Rocco), Alfred
Pfeifle (Jacquino), Margot Guilleaume (Marzelline), Alexander
Welitsch (Don Pizarro), Rupert Glawitsch (lst prisoner),
Ernst Max Lühr (2nd prisoner) and Theodor Schlott
(Don Fernando). Only few parts from this recording are still in the
NDR Hamburg archives and have been released on an Acanta LP (BB 23.311).
Different portions from that 1948 production have been preserved on
this pseudonymous release, among these the famous quartet "Mir
ist so wunderbar" and the complete finale of the second act. In
this respect the Gramophone issue is a real find
as it preserves parts which otherwise would be lost forever.
|
Gramophone 20132-34 (1954) - Mussorgsky:
Boris Godunov (complete opera) - "National
Opera Singers and Orchestra" (no conductor named)
The Golovanov
performance, here issued again without giving credit to the artists
(see above Royale 1390-92). The records show the earlier Royale matrix
numbers, slightly crossed out and substituted by hand-written figures
from 20132 A/B to 20134 A/B.
|
Gramophone 20139 (1954) - Wagner:
Das Rheingold (arias) - "National Opera Singers
and Orchestra" (no conductor named)
These are
the same excerpts as released on Allegro/Elite 3086 (see below for details).
|
Gramophone 20148-50
(1954) - Rimsky-Korsakov:
Le coq d'or (complete) - "National Opera Singers
and Orchestra" (no conductor named)
This complete
opera recording, credited to Gramophone's 'house ensemble', is another
German radio production. The year of recording could not yet be reliably
tracked down, but it is most likely in the very early fifites. However,
the artists are known: Benno Kusche (King Dodon), Joachim
Stein (Prince Gwidon), Hans Herbert Fiedler (Prince Afron),
Hermann Rieth (General Polkan), Hildegard Büchel
(Amelfa), Helmut Krebs (Astrologer), Colette Lorand (Queen
of Shemacha) and Susanne Herz as The Golden Cockerel. The NWDR
choir and orchestra are conducted by Walter Süsskind.
|
Gramophone 20151-53
(no year available) - Verdi:
Masked Ball (complete) - "National Opera Singers
and Orchestra" (no conductor named)
This complete
live recording, credited once again to Gramophone's 'house ensemble',
is yet another German radio production. The date of the recording is
February 15th, 1951, the conductor is none other than Fritz Busch.
The participating artists are Lorenz Fehenberger (Ricardo), Dietrich
Fischer-Dieskau (Renato), Walburga Wegner (Amelia), Martha
Mödl (Ulrica), Anny Schlemm (Oscar) and Günter
Wilhelms (Silvano). Choir and orchestra are the forces of Cologne
Radio.
|
Gramophone 20154-56 (1954) - Offenbach,
Jacques: Tales of Hoffmann (complete)
"National Opera Singers and Orchestra"
(no conductor named)
As mentioned
in Endnote 1., this is the performance with Peter Anders,
Rita Streich et al. under Artur Rother from Berlin 1946
(cf. Royale 1269-71).
|
Gramophone 20167-70 (no year available) - Bach,
J.S.: St. Matthew Passion - "The Cathedral
Choir and Symphony Orchestra" (no soloists and conductor named)
Identical
to the Royale 1290-93 release of this work (see above). Original stamped
Royale matrix numbers have been crossed out and substituted by hand-written
old Royale and new Gramophone matrix numbers, most of these in reflected
face (!).
|
Allegro/Elite 3058
(1951) - Mozart:
Cosi Fan Tutti (sic!) (excerpts) - "Inge Camphausen, soprano / Horst
Wilhelm, tenor / Gerhard Ramms, baritone" - "The
Leipzig Operahaus Orchestra conducted by Gerd Rubahn"
Side A
of this record contains indeed excerpts from Così fan tutte,
unidentified thus far except for the aria Der Odem der Liebe
which is clearly sung by Anton Dermota, though the source of the recording
is still untraced.
But side B figures excerpts from Mozart's Der Schaupieldirektor
(which are not mentioned on the sleeve or the labels), and these could
be identified. The singers in this 1948 NWDR Hamburg radio production
are: Clara Ebers (Mlle. Herz), Margot Guilleaume (Mlle.
Silberklang), Richard Holm (Direktor) and Ernst Max Lühr
(Buff). The NWDR Radio Orchestra (Hamburger Rundfunkorchester) is conducted
by Harry Hermann Spitz.
|
Allegro/Elite 3061-62 (1952) - Wagner:
Die Meistersinger von Nürnberg (excerpts)
"Elly von Kovatsy, soprano / Lothar Hansen,
tenor / Fred Grossmann, baritone, The Prag Operahaus Chorus and Orchestra
directed by Herbert Wentzel"
Again the
unfailing ear of Jürgen Schäfer (Hamburg) put an
end to the mystery of this recording. The released excerpts are taken
from the ca. 1951 Hamburg radio studio production with Lorenz Fehenberger
(Walther), Maud Cunitz (Eva), and Rudolf Gonszar (Hans
Sachs). The NWDR Symphony Orchestra is conducted by Hans Schmidt-Isserstedt.
The widow of Lorenz Fehenberger, Frau Hildegard Fehenberger, kindly
evaluated a tape copy and agreed completely on hearing her late husband's
voice and interpetation.
|
Allegro/Elite 3071 (1952) - Dvorak:
Symphony No. 5 op. 95 "New World" - "The
Symphony Orchestra of Olympia / Antero Saike"
With Maestro
Saike "RCA" added another major force to its roster of
unknown and invented celebrities. The recording of this New World,
however, was not recorded in Olympia, or by the Olympians, but it's
again the German war-time radio studio production from 1944 with the
Munich Philharmonic Orchestra under Oswald Kabasta. Compared
to the earlier incarnation of this performance on Royale 1257, the pressing
of this Allegro disc gives a far better account of the sonic qualities
of the tape masters "RCA" was able to use.
|
Allegro/Elite 3073 (1953) - Grieg: Piano Concerto in A Minor - "Arthur
Sandford with the The Philharmonic Orchestra conducted by Joseph Berendt"
Again the
recording with Robert Riefling and the Oslo Philharmonic Orchestra
under Odd Grüner-Hegge.
|
Allegro/Elite 3081 (1953) - Smetana:
Die Moldau / Aus Böhmens Hain und Flur / Overture The Bartered Bride
"The Philharmonic Orchestra / Joseph Berendt"
Clemens
Krauss
and the Berlin Philharmonic Orchestra in their November 1944 radio studio
performance are again responsible for Die Moldau; the other
two items are unidentified so far. The pressing and hence the sound
here supersedes the earlier Royale 1311 incarnation.
|
Allegro/Elite 3086
(1951) (sic!) - Wagner:
Das Rheingold ("arias") - "Hermine
Lux, soprano / Felix Meesen, baritone / Gerhard Ramms, bass / Choir and
Orchestra of the Dresden State Opera / Fritz Schreiber"
These
"arias" from Rheingold are taken from the 1952 NDR Hamburg
studio production of the work, conducted by Wilhelm Schüchter
with Ferdinand Frantz, Josef Metternich, Rudolf Schock,
Wolfgang Windgassen, Res Fischer, Lore Hoffmann,
Gustav Neidlinger and the NDR Symphony Orchestra. (see also Gramophone
20139 above).
|
Allegro/Elite 3090 (no year available) - Mozart:
Die Entführung aus dem Serail ("arias") - "Inge
Camphausen, soprano / Irmgard Mehler, contralto / Wilhelm Horst, tenor
/ Gerhard Ramms, baritone / Choir and Orchestra of the Dresden State Opera
/ Fritz Schreiber"
Hamburg
is again the source for the excerpts on this record. The 1946 NDR radio
studio production involved Erna Berger, Walther Ludwig,
Martina Wulf, Alfred Pfeifle and Theo Herrmann.The
NDR Symphony Orchestra was conducted by Hans Schmidt-Isserstedt.
|
Allegro/Elite 3095 (1953) - Wagner:
Parsifal ("excerpts") - "Hans Neumeyer,
tenor / Felix Meesen, baritone / Gerhard Ramms, bass / Choir and Orchestra
of the Dresden State Opera / Fritz Schreiber"
Had the
singers from the 1951 or 1952 Bayreuth productions of Parsifal been
as attentive to this record as has been Miss Resnik to the Allegro 'Ring',
Oberstein might have been confronted with even another lawsuit. The
excerpts (Prelude to Act 1 and final portion from Act 3) come from a
performance of that year or the next. The conductor is Hans Knappertsbusch.
The singers' voices can be clearly identified as those of Wolfgang
Windgassen (Parsifal), Ludwig Weber (Gurnemanz) and George
London (Amfortas). The material issued on this record definitely
comes from a taped broadcast. The excerpts are not identical to the
version from June 30, 1951, issued on Decca LPs and on Teldec CDs.
|
Allegro/Elite 3098 (1953) - Tchaikovsky:
Eugen Onegin ("opera arias") - "Inge
Camphausen, soprano / Irmgard Mehler, contralto / Wilhelm Horst, tenor
/ Gerhard Ramms, baritone / Choir and Orchestra of the Dresden State Opera
/ Fritz Schreiber"
Sung in
German, this record contains a mixture from two sources. The famous
"letter scene" on side 1 is a dub from the DGG recording with
Elfriede Trötschel and the Munich Philharmonic Orchestra
under Robert Heger. The same scene, placed at the beginning of
side 2 is the Bavarian Radio recording of May 1950 with Annelies
Kupper and the Bavarian Radio Symphony Orchestra under Hans Altmann.
The prelude to the opera at the end of side 1 comes from the same Bavarian
production, as well as the other two excerpts on that side, the aria
of Onegin and the aria of Gremin, sung by Josef Metternich and
Gottlob Frick respectively. The aria of Lenski on side 1 also
belongs to the Bavarian recording. It is sung by Walther Ludwig.
The prelude at the beginning of side 1 is unidentified. Only the "letter
scene" with Kupper is still stored in the archives of Bavarian
Radio, so this record has preserved a few more portions from what has
once been a complete recording of this opera.
|
Allegro/Elite 3109 (1953) - Ravel:
Piano Concerto for the left hand - "Arthur
Sandford, piano with the Hastings Symphony Orchestra" (no conductor
named)
Ravel: Alborada del Grazioso - "Hastings Symphony
Orchestra / Jan Tubbs"
The 'Alborada',
which in fact turns out to be the Suite 'Ma mère l'oye', is not identified.
The concerto, however, is the SWF Baden-Baden radio studio recording
from March 15, 1952 with Géza Anda and the SWF Symphony
Orchestra under Hans Rosbaud. The sombre upward flourish of the
initial piano cadenza is missing on the record. The original tape is
still in the archives of SWF Baden-Baden.
|
Allegro/Elite 3144
(1954) - Berg:Wozzek
("excerpts")
Strauss: Serenade burlesque - "The Philharmonic
Orchestra / Joseph Berendt" (no soprano named)
The front
sleeve shows "RCA" in one of their funnier moments: it says
"Adam Berg Woczek". The Richard Strauss Serenade (his Opus
7, which does not carry the epithet 'burlesque' at all) has not been
identified, but the Wozzek parts are definitely sung by soprano Annelies
Kupper. These excerpts are the ones which Berg himself extracted
from his opera and published as "Drei Bruchstücke" for
soprano, boys' voices and orchestra. In this performance the boys' voices
in the third fragment are left out and the soprano is performing their
lines instead. No further dates could be found as to the conductor,
orchestra or recording location of this studio performance. None of
the two versions recorded by Kupper/Kleiber in 1953 for WDR Cologne and NDR Hamburg
are identical to this version, except for the voice of Frau Kupper.
|
Allegro/Elite 4010
(no year available) - Stravinsky:
Les noces - "Hermine Lux, soprano / Felix Meesen,
baritone / The Dresden State Opera Orchestra / Fritz Schreiber"
A rather
unusual work for "RCA's" program policy is found on this 10-inch
record, again not from the eastern part of Germany, but from the west.
The performance is the 1953 radio studio production of WDR Cologne with
the Cologne Radio Symphony Orchestra and Chorus under Jean Martinon.
The singers are Anny Schlemm, Hanna Ludwig, Franz Fehringer
and Helmut Fehn, the pianists Annemarie Bohne, Wilhelm
Neuhaus and Astrid & Hans-Otto Schmidt-Neuhaus.
The name of Stravinsky on both sleeve and record labels shows the German
spelling "Strawinski".
|
(see
endnote 9)
|
Royale 1252 (1952) - Brahms:
Violin Concerto op. 77
"Louis Stevens, violin / Berlin Symphony Orchestra
/ Dr. Felix Guenther"
This live
performance is interesting also because of the soloist's use of the
rarely played cadenza by Winkler. In a letter to the author, Wolfgang Schneiderhan expresses
his belief that this is a performance by his brother Walther Schneiderhan.
It has not been possible to find a date when and from where a performance
with Walther Schneiderhan was broadcast, let alone to trace an original
tape with such a performance in the archives of German radio so far.
Addendum 2010: Even though Wolfgang Schneiderhan identified this recording
as the work of his brother Walther it may actually be a live performance
of Wolfgang. Since Walther does not play the Winkler cadenza in his
recording for Vox (Bamberg Symphony/Eduard van Remoortel), contrary
to Wolfgang who plays this rare cadenza in his DGG recording (BPO/van
Kempen) one may assume that the Royale LP carries a live performance
of Wolfgang from more or less the same time when he made his commercial
recording for DGG.
|
Royale 1262 (1952) - Dvorak:
Cello Concerto op. 104
"Siegfried Seidler, cello / Berlin Symphony
Orchestra / Gerd Rubahn"
The hint
towards a possible identification which this studio recording contains
is a very special one: throughout the whole performance the soloist
breathes in a characteristic way, thus creating a prominently hissing
noise. The author has checked various cellists with regard to this feature,
and there is only one who does the very same thing constantly: Mstislav
Rostropovitch. It is amazing how similar in sound and placing Rostropovitch's
contributions of this kind in his commercial recordings of this work
are to the ones by "Siegfried Seidler" (spelled "Siedler"
on the reverse side of the sleeve). A studio recording of this cellist
with some East German orchestra made during those years may be taken
into account. Official evidence for this is at present time not at hand.
Despite three attempts, it was not possible for the author to obtain
an answer from Rostropovitch himself. However, Peter Schenkman (see
comment for Royale 1279 below) is convinced that this is not a performance
of Rostropovitch but rather the work of an 'ordinary' cellist in an
orchestra.
|
Royale 1265 (1952) - Tchaikovsky:
Violin Concerto op. 35 - "Fritz Malachowsky,
violin / Berlin Symphony Orchestra / Joseph Balzer"
An item
which has been identified in John Creighton's encyclopedia as being
played by Bronislav Huberman. Despite the reputation of Mr. Creighton's
work his assessment has definitely to be rejected. There is no evidence
at all that Huberman has played this work anywhere in Germany within
the years in question. But even if he had done so, a comparison with
his extant 78s recording under Steinberg from 1929 and a live performance
from 1946, issued on M&A CD-299, reveals an altogether different
approach by the artist, one instantly striking feature being the cut
Huberman chooses to play in the last movement of both performances.
A possible identification is the violinist Gerhard Taschner and
the Berlin Philharmonic Orchestra under Artur Rother who played
the work twice in Berlin's Titania-Palast on April 11 and 12, 1948.
This view is supported by the head of the Taschner Archives, Walter Gerstberger, and three Taschner pupils
who all kindly evaluated the performance. Meanwhile, this performance
has been released on CD by the Archiphon label.
|
Royale 1279 (1952) - Lalo:
Cello Concerto
"Siegfried Seidler, cello / Berlin Symphony
Orchestra / Gerd Rubahn"
This live
performance with a minimum of audience noise and in a somewhat cavernous
acoustic ambience may be another treasure. Peter Schenkman of Toronto,
a cellist who has been working in various American orchestras for a
long time, has pointed out that the soloist uses a particular way of
playing at the end of the first movement (an octave higher, contrary
to the written score). Furthermore he noticed the particular tone and
vibrato of the cellist which he believes to be Tibor de Machula.
The late cellist's wife and his daughter, both living in Amsterdam,
evaluated a copy of this performance, and both agreed that without doubt
it is de Machula. This would mean that on this LP a live performance
of de Machula had been preserved, dating from the time immediately before
he left the Berlin Philharmonic Orchestra to join the Amsterdam Concertgebouw
Orkest as first cellist. The catalogue of the concerts of The Berlin
Philharmonic lists four performances of this work with de Machula playing
the solo part: on January 5 and 6, 1947, at the Titania-Palast and in
the Haus des Rundfunks, and on January 12, 1947, at the Städtische
Oper. The location of the performance on the LP may be either Titania-Palast
or the Haus des Rundfunks. The conductor on all occasions was
the young Sergiu Celibidache which would mean that the recording
could be added to the small list of early documents of Celibidache.
|
Royale 1289 (1952) - Brahms: Symphony #1 op. 68
"Berlin Symphony Orchestra / Joseph Balzer"
A live
performance of great impact is captured on this record, certain interpretive
features of which point to the conductorship of Hermann Abendroth,
a view which is shared by Mr. William Flowers of London who helpfully
joined in evaluating the performance. Abendroth's bursting drum attacks
are present, as well as his unique way of shaping the tempo in the section
of pizzicato chords at the beginning of the last movement. This performance
also exists on Gramophone 2076, naming
the "National Opera Orchestra" and bearing 1954 as the year
of copyright.
|
Royale 1307 (1952) - Beethoven:
Violin Concerto op. 61 - "Jan Balachowsky,
violin / Berlin Symphony Orchestra / Gerd Rubahn"
A live
performance which is also considered to be played by Gerhard Taschner.
This view is again supported by Walter Gerstberger and pupils of Taschner.
The soloist in this recording plays the Joachim cadenzas and is accompanied
by what undoubtedly is a "big name" orchestra. Taschner indeed
played the work publicly on March 19, 1948 in Berlin's Titania-Palast,
accompanied by the Berlin Philharmonic Orchestra under Leopold Ludwig.
Both on the reverse side of the sleeve and on the labels the soloist's
name is spelled "Baiachowsky".
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Royale 1308 (1952) - Mahler:
Symphony No. 4 in G major - "Berlin Symphony
Orchestra / Gerd Rubahn / Soprano soloist Inge Camphausen"
A live
performance of a work which was not part of concert programmes during
the war in Germany. Post-war concert programmes, however, also did not
feature Mahler's symphonies very often. So this live recording captures
one of those rare occasions, and it is most likely to be another 'lost
treasure'. On March 2, 1949, the NWDR Symphony Orchestra in Hamburg
performed the work under Hans Rosbaud with Käthe Maas
as the soprano, and this was broadcast also. A tape of the performance
does not exists any more in the NDR Hamburg sound archives, but Jürgen
Schäfer (see endnote 17) kindly evaluated the voice of the
singer and identified it as that of Frau Maas. A bit later the singer
herself was presented with a copy and she agreed that it was indeed
her voice and interpretation. She also recalled how nervous she had
been on the occasion, as it was the first time she had to sing the work;
and one can easily detect her nervousness from the recording.
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Royale 1324 (1952) - Prokofiev:
"Lt. Kije" Suite op. 60
"Armin Kessel, baritone / Berlin Symphony Orchestra
/ Gerd Rubahn"
This is
an unusual recording of this well-known work by Prokofiev, insofar as
it is the rarely performed version with a baritone singing (in German!)
two songs which on other recordings of this suite are usually entrusted
to the orchestra alone. In a 1947 German radio journal announcement
of this work the Dutch baritone Caspar Broecheler performs the
suite with the NDR Symphony Orchestra under Walter Goehr as part
of a so-called "studio concert" which took place on August
25 that year. It seems very likely that this Royale record has captured
that particular performance which no longer exists in the NDR Hamburg
archives.
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Royale 1341
(1952) - Mozart:
Piano Concerto No. 20 K. 466 - "Maria Huttner,
piano / Berlin Symphony Orchestra / Gerd Rubahn"
A live
performance, played by a pianist who apparently belonged to the "older
school" of piano playing (e.g., playing the left hand before the
right). On February 27, 1950, a live broadcast from the Hamburg Musikhalle
was scheduled with Eduard Erdmann playing this work with the
NWDR Symphony Orchestra under Hans Schmidt-Isserstedt. It may
well be taken into account that this record has captured this performance
which is no longer in NDR Hamburg's sound archives.
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Royale 1357 (no year available) - 'An
Hour with Tchaikovsky' - "Rome Symphony Orchestra
/ Dr. Felix Guenther' (no soloists named)
This compilation
of movements from works of Tchaikovksy also includes the last movement
from the violin concerto which is identical to the performance captured
on Royale 1265 (see above).
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Gramophone 2058
(1952) - Tchaikovsky: Violin Concerto op. 35 - "Fritz
Malachowsky, violin / Berlin Symphony Orchestra / Joseph Balzer"
All that
has been said for Royale 1265 also applies
to this issue which, however, contains in a Royale 1265 sleeve (with
the "Malachowsky" identification) a Gramophone disc, labelled
2058, which in turn shows the Royale matrix numbers 1265 A/B on the
record itself and says "National Opera Orchestra" on its labels.
So, here is a further example for the use of two different performances
and the issuance under the same Gramophone label number. (For the other
performance issued on Gramophone 2058 with matrix numbers 2058 A/B see
above ).
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Allegro/Royale 1597 (1954) -
Bruckner: Symphony No. 3 - "Berlin Symphony
Orchestra / Gerd Rubahn"
One of
the few records of "RCA" which has been more widely commented
on and was thought to capture a live performance with Jascha Horenstein
(as suggested by the late Jack Diether), a conductor who championed the 1878 version. The orchestra
in this performance is clearly one of the "big" ones. There
was a performance of this version in Germany some time after its publication
which was carried out by the Berlin Philharmonic Orchestra, marked expressly
in the program as "premiere of second version from 1878".
The event took place in Berlin's Titania-Palast on March 2 and 3, 1952, Leopold
Ludwig conducting. Apparently Ludwig and the BPO were the first
to study and perform the recently published version. Given the "Berlin
contact" of Oberstein it is more than likely that this Allegro/Royale
disc has captured one of these performances. An original tape of the
live performance no longer exists, probably because RIAS Berlin had
made a studio recording of the work a few days later with the same forces
and the same conductor. This tape still exists but could not be inspected
for a stylistic comparison with this live version. Yet, there seems
to be hardly a doubt that the orchestra on this disk is the Berlin Philharmonic.
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Allegro/Elite
3103 (1953) - Sibelius: Symphony No. 7 op. 105 / "Karelia Suite"
op. 11 - "The Symphony Orchestra of Olympia
/ Antero Saike"
A case
of particular interest with regard to the recorded repertoire. Instead
of the announced "Karelia Suite" we get excerpts from Sibelius'Pelleas
and Melisande music, the latter work and the choice and sequence of
its movements possibly being a hint for an identification. On May 12,
1953 the Finnish Radio Symphony Orchestra Helsinki was featured in a
broadcast by NDR Hamburg in their series "Radio Orchestras of Europe".
The program was exactly what has been captured on this record. Furthermore
the radio journal's announcement listed even the same choice and sequence
of the movements of the Pelleas music as it is on this record, namely
"At the Castle Gate", "Melisande", Entr'acte and
"Death of Melisande". The suite is a live performance. The
symphony, however, does not show signs of this kind. The Helsinki Orchestra
was conducted on that occasion by Nils-Eric Fougstedt. There
is no evidence at hand to prove whether or not Finnish Radio had supplied
tapes or whether the orchestra was indeed present in Hamburg. A tape
exchange, though, is the more likely procedure. With regard to this
latter possibility, the mixing of live and studio performances on the
Allegro disc becomes reasonable, too.
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